The second character is a generic bandit of the many who infest the forests of Westeros.
There are many of this kind in the Game of Thrones book, preying on weaker travellers and being generally mean.
In this particular illustration the villain is waiting for his victim to appear from a clearance in the forest.
I can’t decide whether I made a mistake with the composition or not.
My intention was to convey “wait” and “something is about to happen coming from that side”. However, it might be that the bright patch on the right and the guy staring at it drag the eye outside of the canvas too much. I hope I managed to achieve some balance, I was close to the deadline and I didn’t have much time left for thumbnails at that point.
by Paolo Puggioni
by Paolo Puggioni
This is Balerion the Black Dread, the biggest dragon that ever lived.
According to the brief, his teeth are as long as swords, and his mouth could swallow a mammoth whole.
As a Concept Artist it’s difficult to imagine a better thing to work on.
It was been great fun to do, even though I have to admit I completely messed up the assignment and I had to redraw it from scratch after the first feedback.
Dragons in George R.R. Martin’s world have no arms. That is, they obviously have hind legs, whereas their arms evolved into wings, as it happens in bats.
I honestly hadn’t thought of that (Dragons in other settings can be quadrupedal with wings as a further set of limbs) and I’ll make sure I’ll get this clarified next time I’ll be asked to draw one.
Anyway, I’m posting the one that got rejected below. It’s not that bad, there are just two spare arms in the composition 🙁
Thanks to Green Ronin for allowing me to post this so soon.
by Paolo Puggioni
I started this painting a couple of days ago, as nothing more than a doodle. I had just finished a freelance assignment, and after the incredible amount of refinement and detailing I had put in it, I just wanted to paint something just for fun, as loosely as possible.
So I randomly got a sketch from the series I posted a while ago and started to develop it a bit further.
Then I got stuck, I had just painted an Oompa-Loompa.
I started again, and managed to paint someone with an orange artificial fake-tan. I was getting close.
The third time I removed most of the reds and got the base colour almost right. After that, most of the work was done. By looking at reference pictures I noticed that dark skin bounces back a lot less light than white skin (duh!), apart from some areas around the eyebrows and nose, which are more reflective.
Painting the rest was just fun, and since I kept the layers I also exported a gif of the process.
I couldn’t help noticing that most of the creative part (the fun bit) is done in the first two-three frames, the rest is pretty much polishing.
I must ponder on that.
Towards the end – hey, all this took less than two hours, that’s unlike me – I felt the urge to think of a more creative name than “untitled1.psd”, and I just didn’t want to call him “Black Guy With a Fuchsia Headscarf”.
So I painted a few tacky ornaments on his head and there you go, a Shaman.
by Paolo Puggioni
So, I meant to make some experiments colouring the pencil sketch I did a few days ago,then I thought than any colour other than blues would have made it too “merry”. So well, I went with a pretty classic palette. I hope I made it badass enough.
Also, since after all those years I dared to open the Animation Window in Photoshop, I put together all the WIPs in a practical Gif.
It moves!
Thanks to fellow redditor Pit107 for the idea.
by Paolo Puggioni